The Notion of Type in the Work of Aris Konstantinidis
Platon Issaias,Alexandra VougiaEssay26 October 2024Read
Type and Domesticity in the Dwellings of Henry Roberts
Joshua TanEssay26 October 2024Read
N. John HabrakenEssay28 September 2024Read
Hannes Meyer’s Kinderheim in Mümliswil
Tatiana EfrussiEssay28 September 2024Read
A Genealogical Study of Horizontality in Domestic Space
Constantinos MarcouEssay31 August 2024Read
A View from Amarna and Deir el-Medina
Aikaterini KoltsidaEssay31 August 2024Read
For a Feminist Critique of Type
Maria Shéhérazade GiudiciEssay27 July 2024Read
The Case for Typological Design
Pier Vittorio AureliEssay27 July 2024Read
(in the Age of its Financial Reproducibility)
Pedro Levi BismarckEssay30 June 2024Read
‘House with No Style’ and Blank Architecture in Japan
Brendon CarlinEssay31 May 2024Read
Burning Farm is an online journal on architecture and domestic space. It publishes new and old material related to buildings, projects, drawings and ideas.
Burning Farm aims to establish a discourse on domestic space by placing architecture in dialogue with history and politics.
Burning Farm is open-access and non-peer-reviewed. Its content can be freely read, shared, and printed.
Burning Farm is open to contributions and values a diversity of voices. It publishes incrementally, issuing around two essays per month.
Burning Farm is produced by the Laboratory of Theory and Project of Domestic Space at École Polytechnique Fédérale de Lausanne.
TPOD Lab — Theory and Project of Domestic Space
EPFL, Station 16 CH, 1015 Lausanne
tpod@epfl.ch
Impressum
Editors: Pier Vittorio Aureli, Jolanda Devalle, Marson Korbi, Theodora Giovanazzi, Constantinos Marcou
Copyediting: Hunter O’Brien Doyle, Ali John Pierre Artemel
Editorial Assistant: Reda Berrada
Design: Studio FAX
Code: Felix Steindl